Lot 11
An Unfinished Greek Marble Head of a Woman
Estimate
$20,000 - $30,000

Sold for $176,400

Sold prices are inclusive of Buyer’s Premium
Lot Description
An Unfinished Greek Marble Head of a Woman
Hellenistic, Circa 4th-2nd Century B.C.
Height 13 3/4 inches (34.93 cm).
Property from The Brummer Collection from Drs. John and Pat Laszlo, Atlanta, Georgia

Provenance: 
Moise Emanuelides, prior to 1924.
Ernest Brummer (1891-1964), Paris & New York, acquired from the above, 14 June 1924.
Ella Bache Brummer, New York, 1964-1999; thence by descent to her nephew, Dr. John Laszlo, Atlanta, Georgia. 

Published: 
G.M.A Richter, The Sculpture and Sculptors of the Greeks, New Haven, 1950, fig. 433.
Galerie Koller and Spink & Son, Zurich, The Ernest Brummer Collection: Ancient Art, Vol. II, 16-19 October 1979, no. 623 (illus.).
For The Brummer Gallery Records at The Metropolitan Museum Cloisters Library and Archive, see Object Inventory Card Number: P1055 [https://libmma.contentdm.oclc.org/digital/collection/p16028coll9/id/62607/rec/2]

Aesthetically evocative, this striking female head remains unfinished, with the rough point and chisel only hinting at the personality within. The woman’s hair is parted in the center, with locks brushed over her ears into what would have been a low chignon. This sweeping arrangement of the hair creates a triangular brow demarcated by swells for the eyebrows and slight depressions beneath for expressive eyes. From coquettish to delightfully demure, a slight smile is visible and hints at the variety of personae the finished product might have taken.

The head turns strongly to the right and below the neck terminates in a slim rectangular bust, certainly intended for insertion into a full-length body. In the Hellenistic period, honorific statues of civically important women began populating Greek and Roman public spaces, and this unfinished visage was likely intended for such a context. The sides and bottom of the bust are finished more finely than the face itself, perhaps indicating that its insertion into the body would have taken place before the final finishing of her visage, neck, and integration with the surrounding décolletage and garment.

The crystalline structure at a small break at the rear seems to indicate that Greek island marble was used. A slight flattening at the nose and lips might be the reason the face was never finished and used as intended.

Condition Report
Inspected under UV light and 10x loupe. Heavily weathered surface with various encrustations. Areas of reddish and brown patina. Some chips, particularly along edges which reveal fine scintillation of marble. Generally in fine and attractive condition. See additional images. 

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