Lot 106
American School, 19th Century
Estimate
$800 - $1,200

Sold for $2,394

Sold prices are inclusive of Buyer’s Premium
Lot Description
American School, 19th Century
Portrait of Caroline Cornelia Culver in Blue Dress with Bowl of Apples
oil on canvas
unsigned
26 1/2 x 21 1/4 inches.
This lot is located in Cincinnati.

Provenance:
Commissioned by Oliver (1778-1867) and Alice Ray Culver (1789-1860), Rochester, New York;
to their daughter Caroline Cordelia Culver Ely (1818-1892), Monroe County, New York;
by descent within the Culver/Ely/Smith families through the 20th century;
a bequest to the Strong Museum, Rochester, New York and later deaccessioned; 
thence acquired by the present owner.

Caroline Cornelia Culver was born on April 8, 1818, in Brighton, Monroe County, Massachusetts to Oliver and Alice Culver, originally of Hartford, Connecticut. Oliver's father, William (1755-1788), served in Captain George Pitkin's company and was engaged at the Battle of Lexington, among the earliest conflicts of the Revolutionary War, fought in Massachusetts on April 19, 1775. He was also a soldier in both Colonel Benjamin Hinman's regiment at the Siege of Boston and Colonel Erastus Wolcott's regiment which occupied the city after the British evacuation.

By 1815, his son Oliver had relocated to New York with his wife, becoming a prosperous farmer and pioneer of Monroe County, where he raised sheep, swine, corn, oats, rye, and wheat. Caroline married Lorenzo Douglas Ely (1809-1881) on June 15, 1841, and the couple had five children together. The Elys owned several farms in Brighton and Irondequoit, where they raised cattle and Morgan horses. The family was among the earliest breeders of blooded Jersey cattle in the county and enjoyed the position of largest Jersey breeder in western New York for many years. Caroline Ely died in Rochester on May 29, 1892.
Condition Report
Framed: 35 3/8 x 30 inches.

In overall fine and stable condition, with light deposits of dust and grime throughout surface. Fine, stable craquelure throughout, with stretcher marks to perimeter of canvas.  Under UV light examination, scattered areas of filled cracks are visible, along with inpainting to the girl's forehead and left cheek. Other minor areas of inpainting to background, including repaired puncture to background at center right.

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