Sold for $1,063

Sold prices are inclusive of Buyer’s Premium

Lot Description

Two Jean de Castelbajac Plush Coats, 1990s

These coats capture the youthful vigor central to Jean Charles de Castelbajac’s body of work. Their plush fabric recalls the teddy bear coat for which he became known in 1988, and likewise exemplify his attraction to primary colors and simple geometric forms. Castelbajac is credited for bringing the spirit of pop art into modern fashion, commercial and playful.

This lot includes two coats.

THE FIRST
Red synthetic plush wrap style coat with yellow plush interior, an exaggerated notched lapel with D-rings along the under collar, long sleeves, and front button closure.
Label: Jean Charles De Castelbajac / KO and CO
Size Label: Unlabeled
Style/Serial No.: N/A

Approximate Measurements:
Shoulders: 34.25"
Chest: 54"
Waist: 54"
Hips: 63"
Length (high shoulder point to hem): 35.25"
Sleeve (center back neck to hem): 37"

THE SECOND
Green, blue, and purple color blocked synthetic plush sleeveless wrap style coat with notched lapel with two blue leather buckles on the back of the collar with D-rings, and front button closure.
Label: Jean Charles De Castelbajac / KO and CO
Size Label: Unlabeled
Style/Serial No.: N/A

Approximate Measurements:
Shoulders: 24.5"
Chest: 50"
Waist: 49.5"
Hips: 52"
Length (high shoulder point to hem): 34"

Property from the Collection of Countess Anita von Galen

This lot is one of sixty-seven in this auction from Countess Anita von Galen, a German aristocrat and socialite known for her avant-garde sense of style and brilliant entertaining. Over the years, the Countess von Galen has used her visionary eye and a penchant for unique silhouettes to build an extraordinary collection of haute couture. She considered Hubert de Givenchy (Lots 1-18) and his partner, Philippe Venet, also a couturier (Lots 19-20), close friends, with Givenchy designing the baptismal gown (Lot 1) for her only son, Ferdinand Otto von Galen. Beyond her friendship with the couple, Countess von Galen was an ardent supporter of emerging, avant-garde designers including Pierre Cardin (Lots 25-48), Kansai Yamamoto (Lots 61-62), and Yohji Yamamoto (Lot 63).

Condition Report

Condition:

THE FIRST
The overall condition is very good though there is a very faint mark in the yellow interior on the center back.

THE SECOND
The overall condition is very good with no visible issues.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email us with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Hindman staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Hindman website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Hindman.

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