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Lot 293
[MUSIC] -- [POSTERS]. CALL, Dean, WILSON, Wes, KNIGHT, Robert, UELSMANN, Robert, WAINWRIGHT, Jerry, SAN ANDREAS FAULT, artists. A group of 8 Family Dog posters for 1968 shows, comprising: 
Sale 1069 - American Historical Ephemera & Photography
Lots Open
Aug 19, 2022
Lots Close
Aug 30, 2022
Timed Online / Cincinnati
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Estimate
$200 - 300
Price Realized
$250
Sold prices are inclusive of Buyer’s Premium
Lot Description
[MUSIC] -- [POSTERS]. CALL, Dean, WILSON, Wes, KNIGHT, Robert, UELSMANN, Robert, WAINWRIGHT, Jerry, SAN ANDREAS FAULT, artists. A group of 8 Family Dog posters for 1968 shows, comprising: 

Most posters approx. 14 x 20 in., or slightly larger, promoting performances by various artists at the Avalon Ballroom, such as Grateful Dead, Byrds, Genesis, Velvet Underground, Quicksilver Messenger Service, Love, Jerry Abrams, Quicksilver Messenger Service, Buddy Miles Express, Mother Earth, and Kaleidoscope.

Includes: FD 140. -- FD 141. -- FD 142. -- FD 143. -- FD 144. -- FD 145. -- FD 146. -- FD 147. -- Together, 8 photographs in near excellent to excellent condition, some with light edge and corner wear, some with toning or light soiling to versos. 

The work of artists SAN ANDREAS FAULT with Thomas WEIR, and Steve RAUN with SAN ANDREAS FAULT is also included.  

Family Dog Productions was founded in 1966. Chet Helms, Family Dog's most notable promoter, began commissioning posters to advertise concerts primarily held at San Francisco's Avalon Ballroom beginning in 1966. The highly decorative posters, which feature vibrant, psychedelic graphics and references to hippie culture became so popular that they were soon produced and sold for profit.  Family Dog Productions' core group of artists came to be known as the "San Francisco Five," and included Stanley Mouse, Wes Wilson, Rick Griffin, Alton Kelly, and Victor Moscoso. 

As Family Dog's stint at the Avalon began to wind down in 1968, the budget for promotion was reduced. The promoters started utilizing black and white imagery for the posters, and as a result, the final posters in the Family Dog Avalon Ballroom series relied primarily on photographic imagery.  

Property from the Collection of Ted L. Simmons, St. Louis, Missouri
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