Provenance: 
Harold and Mary Moore, New Jersey; thence by descent to Dr. Harold F. Moore (1947-2015), New York. 
Acquired by the present owner from the above in 1983. 

To the uninitiated, Egyptian art may seem both hieratic and static. However, an orderly and gradual evolution is discernable in the artistic achievements of this culture. The most copied style of ancient Egyptian art comes from the Old Kingdom. Much the way Europe looked to the art of ancient Greece as the embodiment of the ideal, so too did later dynasties look to the 'Age of the Pyramid Builders' for inspiration and convention.

This limestone relief from the Old Kingdom was once colorfully painted and adorned the walls of a nobleman's tomb. The two hieroglyphic captions at the top can be understood individually as: "tying up a young oryx (antelope)" and "butchering meat" or together as "bind the antelope for a choice cut". The butchery scene is clearly carved according to fixed conventions. Each figure is in the typical "frontality" style with their heads forward facing and all set in an exact median line. Slightly unusual is the figure of the man in the center, who holds the antelope's leg, in true profile. The slight difference in tradition could be explained by the hand of a provincial artist working during the early part of the 6th Dynasty. This period saw the weakening of central government in favor of provincial lords which would eventually break up the kingdom and leave Egypt to anarchy.