8vo. Photographic illustrations. Original blue gilt-stamped cloth; publisher's pictorial dust jacket (some rubbing and chipping, a few short tears). Provenance: Noël Sullivan (presentation inscription); by descent to present owner. 

FIRST EDITION, PRESENTATION COPY, INSCRIBED BY HUGHES TO SULLIVAN: “Especially for Noel – a friend of music, art, and artists. Sincerely, Langston. New York, September 16, 1955.”

In the summer of 1955, Langston Hughes returned to writing his autobiography, a project that would take him into the fall. “Leaving town as seldom as possible, he was happier in Harlem, and happiest at his typewriter. ‘Nicest thing about going away…is to get back to Harlem again.’ Near Labor Day, he lectured on gospel music at the Music Inn and enjoyed a concert by the high priestess of gospel, Mahalia Jackson” (Rampersad, Life, Vol. II, p.248). Hughes wrote Famous Negro Music Makers “so quickly—within ten days—that even he was appalled by his speed (‘don’t tell anybody,’ he begged a friend)” (ibid., p.246.