29 (of 116) issues in 29 volumes, square 4to. Illustrated throughout, printed on accordion-fold sheets. Original wrappers printed in red, white, and black after H. Th. Wijdeveld's design, original stab-sewing (some light rubbing to extremities, a few numbers with soft bends or creases at edges, some spotting or toning); folding cases.

Comprising:
1918: vol. 1, issue nos. 6, 8, 9
1919: vol. 2, issue nos. 2, 6, 11, 12 
1920: vol. 3, issue nos. 2 (2 copies), 8/9, 10, 11/12
1921: vol. 4, issue nos. 4/5, 6
1922: no volumes published
1923: vol. 5, issue nos. 3, 4
1924: vol. 6, issue nos. 4/5, 9/10
1925: vol. 7, issue nos.11/12
1926: no volumes published
1927: vol. 8, issue nos. 4, 6/7 (2 copies), 8
1928: vol. 9, issue no. 1
1929: vol. 10, issue nos. 3 (2 copies, one in boards), 5/6, 11/12
1930: vol. 11, issue no. 11/12
1931: vol. 12, no issues

Wendingen was an influential Dutch art and architecture journal published from 1918 to 1932, notable for its avant-garde design and eclectic content that covered a wide range of artistic movements. Initially edited by architect Hendrik Wijdeveld and associated with the Amsterdam School, the magazine's focus was on promoting modernist architecture, design, and the decorative arts, featuring work by prominent figures like Frank Lloyd Wright, Diego Rivera, Gustav Klint, Eileen Gray, and El Lissitzky. Each issue of Wendingen was a work of art in itself, with striking typography and innovative layouts that were integrated into the overall design.

[With:] Wendigen exhibition poster, 25 March-13 May 2001, framed, overall 41 x 31".