Sold for $1,500

Sold prices are inclusive of Buyer’s Premium

Lot Description

Four Conceptual Costume Illustrations from Cecil B. DeMille Films, 1935-1956

Cecil B. DeMille was a prolific filmmaker whose visionary films spanned both the silent and golden age of the silver screen. Considered the "Founding Father" of the American cinema, DeMille is likely the most commercially successful director/producer in film history.

Each illustration is a working illustration full of design notes, fabrication notes, and alternative views. Additionally, each illustration has the "OK" and initials of Cecil B. DeMille as he was often known to approve the illustrations in this manner before production on the costume began. The identified designers all worked at Paramount Studios through which each of the films were released.

This lot includes four costume illustrations from Cecil B. DeMille productions.

THE FIRST
Musician from The Crusades, 1935. Watercolor and pencil on paper with fabric samples. Fil Nickels, designer.

Approximate Measurements:
Length: 22"
Width: 15"

THE SECOND
Ray Milland as Steven Tolliver in Reap the Wild Wind, 1942. Watercolor and pencil on paper.

Approximate Measurements:
Length: 19.5"
Width: 14"

THE THIRD
Angela Lansbury as Semadar in Samson and Delilah, 1949. Watercolor and pencil on paper with fabric samples.

Approximate Measurements:
Length: 21.5"
Width: 14.5"

THE FOURTH
Douglass Dumbrille as High Priest Jannes in 10 Commandments, 1956. Watercolor and pencil on paper. Marilyn Sotto illustration for Ralph Jester design.

Approximate Measurements:
Length: 19.5"
Width: 14.5"

Property from the Estate of Edgar Foster Daniels, Santa Fe, New Mexico

Condition Report

Condition:

All conditions exclude the frame, matting, and glass.

THE FIRST
The overall condition is very good though the paper has slightly yellowed due to age and there are several smudges and spots from when the illustration was being created. There are several costume notes in the margins and pinholes from hanging.

THE SECOND
The overall condition is very good though the paper has slightly yellowed due to age and there are a few smudges on each side.

THE THIRD
very good though the paper has slightly yellowed due to age and the leather fabric swatches have dried and discolored. There are additional costume views in the margins, mainly on the left side.

THE FOURTH
The overall condition is very good though the paper has slightly yellowed due to age and there are several smudges and spots from when the illustration was being created. There are several costume notes in the margins and staples on the top edge.
Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email couturecr@hindmanauctions.com with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Hindman staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Hindman website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Hindman.

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