Sold for $378

Sold prices are inclusive of Buyer’s Premium

Lot Description

Jean Patou Three-Piece Ensemble, 1960s

When couturier Jean Patou (1887-1936) died, he left behind a fashion house and legacy credited with revolutionizing luxury sportswear for men and women. This ensemble was created during a transitional period at the house of Patou, after Karl Lagerfeld’s (1933-2019) tenure ended in 1963, and around the time a young Jean Paul Gaultier (b. 1952) joined the design team in 1972. The creative director during these years was Michel Goma (1932-2022), a young designer credited with bringing a youthful vigor to the label, and who was concerned with creating an enduring reputation: “I believe I am still a child in the haute couture. I know that I am a darling – and much loved – but I am a little sensitive about being considered just a commercial success,” Goma confessed in 1966. Even in the absence of its founder, the house’s reputation was one of exacting standards in the spirit of old-world haute couture, the quality which drew in Gaultier, combined with Goma's youthful energy, Patou’s house attracted a distinguished clientele, including Mrs. Claude Arpels and Jacqueline Kennedy.

Purple wool trimmed with white leather in a dress, jacket, and belt. The sleeveless dress is made of purple wool and is cut with a stand collar, straight skirt gathered into the dropped waistline, and a center front "bib" of white leather. The jacket is cut with a rounded notched lapel, long sleeves, and center front closure of leather covered buttons. The ensemble is finished with a white leather buckled belt.
Label: Jean Patou / Paris / Tailored in London
Size Label: 10

Approximate Measurements:
Shoulders: 14"
Chest: 34"
Waist: 33"
Hips: 33"
Length (high shoulder point to hem): 22.5"
Sleeve (center back neck to hem): 32"

This lot is located in Chicago.

From The Private Collection of Adnan Ege Kutay

Condition Report

Condition:

The overall condition of the dress and jacket is good with the interior lining of both items having some fading that is not visible on the outside. The white leather belt has signs of wear while the the adhesive holding the backing of the belt has failed and is seperating in a small area that is not visible when worn.

Everything is sold 'As Is’. The stated overall condition of the lot is based on the assumption that the wear is consistent with age and use. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. All other condition issues are stated above. To request additional working condition photos, please email [email protected] with the lot number. Condition is a matter of opinion of the evaluator and should not be treated as a statement of fact. Clients must review and agree to the Conditions of Sale before participating in an auction.

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold "AS IS," in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot's condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition. Condition reports prepared by Hindman staff are provided as a convenience and may be requested from the Department prior to bidding.

The absence of a posted condition report on the Hindman website or in our catalogues should not be interpreted as commentary on an item's condition. Prospective buyers are responsible for inspecting a lot or sending their agent or conservator to inspect the lot on their behalf, and for ensuring that they have requested, received and understood any condition report provided by Hindman.

Please email [email protected] for any additional information or questions you may have regarding this lot.